Distribution Archive

How to legally record and make money from a cover song

How to legally record and make money from a cover song

Playing a cover song live is one tool in a new band’s arsenal to get people’s attention. Having that song available to iTunes and Pandora audience increases that exposure exponentially. There is more than one way to get the rights to record a cover song, but the easiest is to get the mechanical rights through a company called The Harry Fox Agency (HFA).

HFA represents more than 46,000 music publishers, and has the right to grant licenses on behalf of its publishers to record songs to be distributed for money. Depending on the license, you can put your cover song on CDs, cassettes, records and even sell the music digitally in the form of Permanent Digital Downloads (PDDs), ringtones, limited downloads and interactive streams.

To record a cover song you will need to get the proper license, which is called a mechanical license. A mechanical license grants the right to copy and distribute copyrighted material. If you are a new band, and you don’t expect to sell a lot of copies of a song, you can use the super cheap and easy to use Songfile®. Songfile is HFA’s online licensing tool, you can use it if you plan to make 2,500 copies or less of your recording. It enables you to license for both physical (i.e. CDs, cassettes, etc.) and digital, including PDDs, ringtones, and interactive streaming.

Bands that are going to sell more than 2,500 copies can sign up with HFA as a commercial licensee, similar to record labels and online services. HFA issues licenses that cover most audio-only medium, but they do not issue licenses for audio/visual recordings like music videos.

The nice thing about using HFA is that not only do they issue the licenses for musicians to cover songs, but they also collect and distribute the royalties. There is no need to deal with more than one company.

Yet before you can get a mechanical license from HFA, you need to make sure your cover qualifies for a compulsory license. To qualify for a compulsory license the new version of the song has to follow a few rules:

It can’t be a derivative work. This means you can’t make major changes like rewriting the lyrics, taking out sections of the song, sampling a song or creating a new arrangement.

If you think your cover is going to be considered a derivative work, you need to go directly to the publisher of the work and ask them if they think it is a derivative work. If they do not, you can still get a compulsory license. If they do, you will need to get their permission before coming to HFA for a mechanical license.

According to Maurice Russell, Senior Vice President of Licensing, Collections and Business Affairs for HFA, you can tweak a song a little bit. And moving a song from one genre to another is not usually an issue. It becomes an issue when you start to change the melody or lyrics of the song or you add to the song and make it into a sample.

Since compulsory licenses only cover non-dramatic works, they may not apply to covers of complete works such as musical plays or operas.

As long as the work has been commercially released on a record and your cover song qualifies for a compulsory license (i.e. not a derivative work), you can get the mechanical license to the song and pay a statutory rate. Statutory rates are royalty rates, set by the government, which you must pay for each time you distribute a song physically or digitally. It does not matter how much you charge for the song, the rates are always the same.

Now as this seems like a hassle, bands might be tempted to record a cover song and not get the mechanical rights to distribute the songs. This is a bad idea. According to HFA, even giving this music away for free does not make it exempt from copyright laws. If a musician gets caught distributing copyright protected work, even for free, they can incur a legal claim that amounts to much more than what it would have cost to get a mechanical license.

It may not seem to matter when your band is small and unknown, but if you make it in the music industry people are going to check out what you have done in the past. If your goal is to be successful in the music industry, you better play by the rules.

Over 4 million plays on Pandora? It’s just business for Barefoot Truth

Over 4 million plays on Pandora? It’s just business for Barefoot Truth

Starting off Barefoot Truth was just two high school friends (Jay Discoll and Will Evans) writing and performing songs for their own enjoyment. When they started playing out they got such a good response that they decided to record an album. By the time they both graduated college Barefoot Truth was no longer just for fun. It was a full band, and it became a career.

Since spring of 2007 the members of Barefoot Truth have been working full time on the band. Recently they have received national attention and an undetermined amount of money from success on Pandora Radio. The internet radio site exposed Barefoot Truth to a much larger audience, and that audience can’t seem to get enough of Barefoot Truth. The band has had more than 4.5 million plays on Pandora.

Although the band had little influence on promoting their music on Pandora, their dedication to making quality music and their professional approaches to the band are key to this success. The band is doing everything right. They made the band into a small business and keep track of all of their money. They even get tax write offs at the end of the year.

Discoll took the time to help answer some our questions about Barefoot Truth’s success.

barefoot truth

How do they afford to be professional musicians?

“We have a pretty good situation, we all live together. So a lot of the money we make as a band stays in the band going towards our own rent…it really just cuts down on costs.”

“When there is downtime…we’ll have our own little things going. Odd jobs and things are always coming up.”

What was the first step to becoming a regional band and getting shows in different areas?

“Show swapping is defiantly a big thing for us. It has been for breaking into new places…We’ve also been lucky to have interest from a lot of colleges and high school students [then we] go to their student activities board and tell them [the students] would like us to play at their school. It’s been cool to break into new markets. From there we try to get into local clubs.”

How does Barefoot Truth handle management responsibilities?

“Right now it’s pretty much mainly handled by the band. We’ve been though management a little bit and had booking agents and had some help with different tours…but beyond that we are constantly booking shows ourselves. We do a lot of the admin stuff ourselves which definitely gets tedious.”

Barefoot Truth’s first recording was produced by a Grammy nominated producer and has worked with the band Dispatch, how did that come about?

“We’ve always looked up to [Dispatch] and we went to what was planed to be their final show back in 2004. We happened to meet them, and we actually had a cassette tape. We played it for them in our car. They were really cool to us, and they said if we were really serious about making a CD we can hook you up with our producer Jack Gauthier. We said yes. We got to record our first few CDs where they recorded their CDs.

We’re never afraid to talk to people. We love meeting new people in the industry and learn how other people have gone about their career.”

The band has gotten a lot of exposure from Pandora, but how much has it helped Barefoot Truth?

“We started getting requests from different parts of the country to play, then we started seeing CD Baby sales from all different parts of the country. When someone buys your CD on CD Baby they get a chance to tell you how they have heard of you. About 80 percent was coming from Pandora, and we thought wow this is cool. Then our music got on iTunes, and we were making way more digital sales than physical sales…It’s grown exponentially.”

What advice does Barefoot Truth have for young bands?

“The biggest thing for us has been to put all the money back into the band. You can’t grow without putting money into recording, gas, graphic design or publicity. There is so much to put into the band you need to have a money flow. Just don’t get greedy with the money you make at gigs.

And don’t be afraid to play anywhere. One example that I remember we played a very small bar gig we were hesitant to play. We were pretty sure no one was going to come hear us who knew of us, but it ended up meeting a kid there who is an IT guy. He was able to do an internship for us, and he was able to build us an entire website and graphic design and get credit for it…you never who you are gonna meet and what each gig is going to bring to you.

And don’t drive in the snow…We got into an accident, and that sucked.”

Learn more about how to get your music onto Pandora, advice from Pandora’s founder and getting royalties from internet and satellite radio.

How To Get Your Music onto iTunes

How To Get Your Music onto iTunes

Getting your music on iTunes, and other digital music outlets, is no longer just a good idea but something your band must do to generate an income.  Unfortunately, many music outlets do not work with individual artists. iTunes is no exception.  This means that you will have to work with a digital distributor to get your music out there. Here at Detone8.com we’ve put together a list of companies that distribute independent music. This alphabetical list gives the differences between theses companies to help you find the one that fits you the best.

Avatar:

  • Avatar has an application process, and it is not guaranteed they will take your music.
  • If accepted, your music should be available on iTunes within 3-4 weeks after you submit all the required items (contracts, CDs, W9, etc.)
  • Avatar does not charge a set up fee, but will keep 20% of earnings as their distribution fee.
  • Payments will be made 45 days after the end of each quarter (mid May, Aug, Nov, Feb)
  • Better Business Bureau: No Rating, no complaints.

Catapult:

  • Catapult offers self sign up, and includes multiple stores in their distribution agreement including iTunes, Amazon MP3, and Zune.
  • Expect a 4-8 week time frame from the time you submit your music, to the time it will be available for download (varies by store)
  • Catapult charges a $25 setup fee, and has a tiered distribution fee starting at 9% and scales down to 5% as downloads increase.
  • Catapult does not require a physical CD, so you can start the process while your music is off to the replicator, or you can choose to scrap CD replication altogether.
  • Payments are made once a month via Paypal.
  • Better Business Bureau: A Rating, no complaints.

CD Baby:

  • CD Baby is also a self sign up service, and includes over 20 stores in the agreement.
  • Expect your music to start showing up in the different stores after 3 weeks.
  • CD Baby charges a $35 set up fee, with a distribution fee of 9%.
  • CD Baby issues payments the Monday after they received the sales reports from iTunes, Amazon, etc.
  • CD Baby also has a physical distribution offering that includes Amazon (which is required if you plan on submitting to Pandora).
  • Better Business Bureau: A- Rating, BBB processed a total of 18 complaints about C D Baby Inc in the last 36 months, our standard reporting period. Of the total of 18 complaints closed in 36 months, 14 were closed in the last year.

The Orchard:

  • The Orchard has an application and approval process.
  • The Orchard distributes through iTunes, Verizon, Amazon MP3, Zune, and many more.
  • Better Business Bureau: No Rating, no complaints.

QuickStar Productions:

  • Quickstar also has an application and approval process.
  • Quickstar distributes through iTunes, Amazon MP3, Napster, and “almost every other mp3 retailer on the world.”
  • Better Business Bureau: A Rating, no complaints.

TuneCore:

  • TuneCore is completely self service and includes 19 different stores (iTunes, Amazone MP3, eMusic, etc.)
  • TuneCore does not retain anything as distribution fee, however, it does have 3 different setup fees depending on single, album (standard), or album “a la carte” distribution.
  • Better Business Bureau: No Rating, BBB processed a total of 2 complaint(s) about this business in the last 36 months, our standard reporting period. Of the total 2 complaint(s) closed in the last 36 months, 0 were closed in the last 12 months.

**All the distribution fees are based on earnings after the retailer fees.

Good Luck!

image by DeusXFlorida

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